Permanent Display 42. In Socialist Reality
 			 				 Zagreb    experienced May 1945 mute and in terror. At the beginning of the month, great    columns of ISC officials, Croatian army units, German soldiers and numerous    civilians left the city. On May 8, Yugoslav Army units entered the city in smallish    columns.
 			 		Zagreb    experienced May 1945 mute and in terror. At the beginning of the month, great    columns of ISC officials, Croatian army units, German soldiers and numerous    civilians left the city. On May 8, Yugoslav Army units entered the city in smallish    columns.    
The communist transformation of society began at once, with the help of the National Front, making itself seen in changes to the city views, the placing of the five pointed star on many public buildings, and the removal of the monument to the national hero Ban Josip Jelačić.
Accompanied by the slogan No rest while renewal is going on, the building of numerous factories and municipal facilities started. The population lived in difficult circumstances off UNRRA aid, which at least partially alleviated the consequences of the war.
Jail sentences, shootings and trials were everyday events. The totalitarianism of the communist regime was symbolically confirmed in Zagreb by the staged trial of the Archbishop of Zagreb, Cardinal Alozije Stepinac, who was sentenced to sixteen years of hard labour in spite of being innocent.
In the first post-war period, alongside other great industrial plants, RIZ (Radio Industry of Zagreb) was founded, which expanded its operations when Zagreb Television was set up in 1956. The time was coming when these electronic and acoustic devices were an obligatory part of the equipment of every home, and when people were ever more interested in entertainment.
As soon as the discipline of socialist realism began to relax, attempts were      made to establish connections with the rest of the world. Exhibitions of world-famed      artists were organised (Henry Moore, 1958, and Pablo Picasso); the international      Musical Biennale was founded (1961); and New Tendencies, an international      art movement, started in 1961. All of these stimulated new, creative intellectual      ferments during the sixties.

The demographic growth of Zagreb was accompanied by a change in the structure      of the population, linked with sudden industrial growth and an influx of people      from the countryside into the capital. The new economic strength meant it      was possible to put into practice the town planning programme (1962) for South      Zagreb. The population of the city doubled in about twenty years, being 602,205      at the end of 1971. Zagreb took on the shape of a big city and became an important      centre for business and industry, transportation and culture. 
At the same time there were political, cultural and economic movements deriving from the wish to found a freer and more democratic Croatia. Those in the lead of the new times were students of Zagreb University.
Nada Premerl

