• 1. What was hidden under the Museum
  • 2. Before Zagreb
  • 3. Finds at the Site of Discovery
  • 4. First Recorded Use of the Name of Zagreb
  • 5. The Royal Free Town on Gradec
  • 6. Conflict, Punishment, Prejudice
  • 7. Medvedgrad
  • 8. The Ottoman Threat
  • 9. The Emblems of the City
  • 10. Laška Ves and Nova Ves
  • 11. Kaptol
  • 12. The Building of the Cathedral
  • 13. The Main Portal of the Cathedral
  • 14. The Interior of the Cathedral
  • 15. The Restoration of the Cathedral by Bollé
  • 16. The Parish and the Parish Church of St. Mark at Gradec
  • 17. The Baroque Altars of St. Mark’s
  • 18. The Guilds of Gradec and Kaptol
  • 19. Master Craftsmen of Gradec and Kaptol
  • 20. The New System of Municipal Government
  • 21. Religious Orders Encourage Piety and Education
  • 22. The Poor Clares of Zagreb
  • 23. Veneration for the Blessed Virgin Mary
  • 24. Magnates at Gradec
  • 25. Parks and Walks
  • 26. Life in the Lower Town
  • 27. The Time of the Croatian National Revival
  • 28. Ban Josip Jelačić
  • 29. From the Homes of Zagreb People during the Biedermeier Period
  • 30. Civic Societies and Clubs
  • 31. The Foundations of the Modern City
  • 32. Ilica Becomes the Main Commercial Street
  • 33. From the Photographic Studio
  • 34. The Lower Town
  • 35. Theatre Life
  • 36. Public Utilities
  • 37. Life in Associations
  • 38. Sensations from the Beginning of the 20th Century
  • 39. Echoes from the Battlefield
  • 40. House and Life
  • 41. The Second World War
  • 42. In Socialist Reality
  • 43. The Zagreb School of Animated Film
  • 44. Zagreb in Independent Croatia
  • 46. The Study of Ivan pl. Zajc
  • 45. Echoes of Events in Zagreb
  • 47. August Šenoa and Zagreb
  • 48. Tilla Durieux and her Art Collection
  • 49. The Collection of Mechanical Musical Automata of Ivan Gerersdorfer
  • 50. Dr Ante Rodin''s Collection of Old Packaging
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Permanent Display 13. The Main Portal of the Cathedral

The old stone figural portal is as a whole an exceptionally important monument from the 17th century. It is a remarkable example of Baroque proto-historicism, a blend of Neoromanesque and mature Baroque. It was commissioned by Bishop Benedikt Vinković in 1640, who signed a contract with the mason Kozmo Muller of Krško. The bishop wanted it to look like the portal of the Cistercian Abbey in Ják, Hungary, where he had himself once been Abbot. Some parts of the arch of an older portal were built into the new portal, and guardian lions in the lower part. The figural decoration was centered on the massive architectural frame, which imparts a strict iconographic hierarchy. The statues of the royal saints Ladislav and Stjepan, the latter the patron saint of the cathedral, are on the left and right hand sides of the entrance. Above them are reliefs of Mary and the Archangel Gabriel in the scene of the Annunciation. On the gable, in niches divided by pillars, are the apostles who represent the whole Church, the founder of which, Jesus Christ, is at the very top of the portal. The portal was finished in 1643. The sculptures and reliefs manifest considerable stylistic and typological differences, and they were not carved by the same craftsmen. This monumental portal was removed and dismantled during Bollé’s renovation of the Cathedral.

Slavko Šterk

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