• 1. What was hidden under the Museum
  • 2. Before Zagreb
  • 3. Finds at the Site of Discovery
  • 4. First Recorded Use of the Name of Zagreb
  • 5. The Royal Free Town on Gradec
  • 6. Conflict, Punishment, Prejudice
  • 7. Medvedgrad
  • 8. The Ottoman Threat
  • 9. The Emblems of the City
  • 10. Laška Ves and Nova Ves
  • 11. Kaptol
  • 12. The Building of the Cathedral
  • 13. The Main Portal of the Cathedral
  • 14. The Interior of the Cathedral
  • 15. The Restoration of the Cathedral by Bollé
  • 16. The Parish and the Parish Church of St. Mark at Gradec
  • 17. The Baroque Altars of St. Mark’s
  • 18. The Guilds of Gradec and Kaptol
  • 19. Master Craftsmen of Gradec and Kaptol
  • 20. The New System of Municipal Government
  • 21. Religious Orders Encourage Piety and Education
  • 22. The Poor Clares of Zagreb
  • 23. Veneration for the Blessed Virgin Mary
  • 24. Magnates at Gradec
  • 25. Parks and Walks
  • 26. Life in the Lower Town
  • 27. The Time of the Croatian National Revival
  • 28. Ban Josip Jelačić
  • 29. From the Homes of Zagreb People during the Biedermeier Period
  • 30. Civic Societies and Clubs
  • 31. The Foundations of the Modern City
  • 32. Ilica Becomes the Main Commercial Street
  • 33. From the Photographic Studio
  • 34. The Lower Town
  • 35. Theatre Life
  • 36. Public Utilities
  • 37. Life in Associations
  • 38. Sensations from the Beginning of the 20th Century
  • 39. Echoes from the Battlefield
  • 40. House and Life
  • 41. The Second World War
  • 42. In Socialist Reality
  • 43. The Zagreb School of Animated Film
  • 44. Zagreb in Independent Croatia
  • 46. The Study of Ivan pl. Zajc
  • 45. Echoes of Events in Zagreb
  • 47. August Šenoa and Zagreb
  • 48. Tilla Durieux and her Art Collection
  • 49. The Collection of Mechanical Musical Automata of Ivan Gerersdorfer
  • 50. Dr Ante Rodin''s Collection of Old Packaging
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Permanent Display 7. Medvedgrad

The fortified Medvedgrad Castle was built at the instigation of Pope Innocent IV in the mid-thirteenth century to ward off Tatar invasions – the traces of their devastating incursion in 1242 were still all too fresh. Perched on the highest peak of the southern foothills of Medvednica Mountain, Medvedgrad had a good position from which its occupants could keep watch on the area stretching from Medvednica in the north to Turopolje in the south, and on the route which could be used for a strike from the plains of Slavonia westward; the route along the Sava valley was protected by Susedgrad. It was the time of the episcopate of  Bishop Filip (1247-1262), an ally of King Bela IV, who gave his support to the construction of Medvedgrad. The  castle, completed in 1254, was surrounded by double walls and a moat and had two towers, a residential palace, a chapel and a cistern, thus providing defence and domesticity.

The architecture of many parts of Medvedgrad, especially the recently restored octagonal chapel of St. Philip and St. James, are considered the finest early Gothic buildings in Croatia.

Medvedgrad changed many masters – from Croatian-Hungarian kings and bishops of Zagreb to noblemen and canons. Among them were Duke Koloman, the Babonić family, Ban Mikac, King Sigismund, the counts of Celje, King Matthias Corvinus, Duke Janos Corvinus, George of Brandenburg and Nikola Zrinski. Its last residents were the Gregorijanec, who left the castle in 1571 and moved to their new manor-house at Šestine.





The powerful earthquake that hit the area on 15th September 1590 destroyed Medvedgrad. What life was like in Medvedgrad has been revealed by recent archeological excavations (1987-1994). Careful conservation and restoration work has given the monument a new lease of life. In front of the south wall of the fortress a monument has been erected to all heroes of Croatia – the Altar of the Fatherland, the work of the sculptor Kuzma Kovačić.

Boris Mašić

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