• 1. What was hidden under the Museum
  • 2. Before Zagreb
  • 3. Finds at the Site of Discovery
  • 4. First Recorded Use of the Name of Zagreb
  • 5. The Royal Free Town on Gradec
  • 6. Conflict, Punishment, Prejudice
  • 7. Medvedgrad
  • 8. The Ottoman Threat
  • 9. The Emblems of the City
  • 10. Laška Ves and Nova Ves
  • 11. Kaptol
  • 12. The Building of the Cathedral
  • 13. The Main Portal of the Cathedral
  • 14. The Interior of the Cathedral
  • 15. The Restoration of the Cathedral by Bollé
  • 16. The Parish and the Parish Church of St. Mark at Gradec
  • 17. The Baroque Altars of St. Mark’s
  • 18. The Guilds of Gradec and Kaptol
  • 19. Master Craftsmen of Gradec and Kaptol
  • 20. The New System of Municipal Government
  • 21. Religious Orders Encourage Piety and Education
  • 22. The Poor Clares of Zagreb
  • 23. Veneration for the Blessed Virgin Mary
  • 24. Magnates at Gradec
  • 25. Parks and Walks
  • 26. Life in the Lower Town
  • 27. The Time of the Croatian National Revival
  • 28. Ban Josip Jelačić
  • 29. From the Homes of Zagreb People during the Biedermeier Period
  • 30. Civic Societies and Clubs
  • 31. The Foundations of the Modern City
  • 32. Ilica Becomes the Main Commercial Street
  • 33. From the Photographic Studio
  • 34. The Lower Town
  • 35. Theatre Life
  • 36. Public Utilities
  • 37. Life in Associations
  • 38. Sensations from the Beginning of the 20th Century
  • 39. Echoes from the Battlefield
  • 40. House and Life
  • 41. The Second World War
  • 42. In Socialist Reality
  • 43. The Zagreb School of Animated Film
  • 44. Zagreb in Independent Croatia
  • 46. The Study of Ivan pl. Zajc
  • 45. Echoes of Events in Zagreb
  • 47. August Šenoa and Zagreb
  • 48. Tilla Durieux and her Art Collection
  • 49. The Collection of Mechanical Musical Automata of Ivan Gerersdorfer
  • 50. Dr Ante Rodin''s Collection of Old Packaging
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Permanent Display 14. The Interior of the Cathedral

In the first half of the 17th century, two fatal fires hit the Cathedral, causing it grievous damage, just after, for the first time in its history, it had obtained a great bell-tower. According to an account of a canon of the time, Juraj Ratkaj, the cathedral vault fell in, “crushing the choir to pieces, the bishop’s throne, five altars below the choir”, and so on.

At the end of the 17th century, the Cathedral was enriched with many new altars. The most important were certainly the altar of St Mary and the altar of St Ladislav. At the beginning of the 18th century, the Cathedral had its first marble altars. They were created by Slovene sculptors or Italian artists, among whom the most well known was Francesco Robba, who had contracted to do four altars for the Cathedral. He is reliably attributed the altar of the Holy Cross, which during the restoration of the Cathedral was taken to Križevci. Many revered men of the church were buried in the Cathedral. Their graves were marked by stones with carved inscriptions and figural motifs. After the Counter Reformation the slabs were placed on the floor, to be walked upon as a sign of humility. During the restoration of the Cathedral all these stones were removed from the interior.

Slavko Šterk

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