• 1. What was hidden under the Museum
  • 2. Before Zagreb
  • 3. Finds at the Site of Discovery
  • 4. First Recorded Use of the Name of Zagreb
  • 5. The Royal Free Town on Gradec
  • 6. Conflict, Punishment, Prejudice
  • 7. Medvedgrad
  • 8. The Ottoman Threat
  • 9. The Emblems of the City
  • 10. Laška Ves and Nova Ves
  • 11. Kaptol
  • 12. The Building of the Cathedral
  • 13. The Main Portal of the Cathedral
  • 14. The Interior of the Cathedral
  • 15. The Restoration of the Cathedral by Bollé
  • 16. The Parish and the Parish Church of St. Mark at Gradec
  • 17. The Baroque Altars of St. Mark’s
  • 18. The Guilds of Gradec and Kaptol
  • 19. Master Craftsmen of Gradec and Kaptol
  • 20. The New System of Municipal Government
  • 21. Religious Orders Encourage Piety and Education
  • 22. The Poor Clares of Zagreb
  • 23. Veneration for the Blessed Virgin Mary
  • 24. Magnates at Gradec
  • 25. Parks and Walks
  • 26. Life in the Lower Town
  • 27. The Time of the Croatian National Revival
  • 28. Ban Josip Jelačić
  • 29. From the Homes of Zagreb People during the Biedermeier Period
  • 30. Civic Societies and Clubs
  • 31. The Foundations of the Modern City
  • 32. Ilica Becomes the Main Commercial Street
  • 33. From the Photographic Studio
  • 34. The Lower Town
  • 35. Theatre Life
  • 36. Public Utilities
  • 37. Life in Associations
  • 38. Sensations from the Beginning of the 20th Century
  • 39. Echoes from the Battlefield
  • 40. House and Life
  • 41. The Second World War
  • 42. In Socialist Reality
  • 43. The Zagreb School of Animated Film
  • 44. Zagreb in Independent Croatia
  • 46. The Study of Ivan pl. Zajc
  • 45. Echoes of Events in Zagreb
  • 47. August Šenoa and Zagreb
  • 48. Tilla Durieux and her Art Collection
  • 49. The Collection of Mechanical Musical Automata of Ivan Gerersdorfer
  • 50. Dr Ante Rodin''s Collection of Old Packaging
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Permanent Display 12. The Building of the Cathedral

Zagreb Cathedral is the most important monument not only in the history of Zagreb but in that of the whole of northern Croatia. It reflects the many architectural styles that followed one another over the centuries in this part of Europe.

On the site of a smaller church built during the rule of King Ladislas, a large three-naved Romanesque cathedral was erected in the 12th century. It was razed to the ground by the Tatars in 1242. A few years later, Bishop Stephen II had a chapel built - that of St. Stephen Protomartyr, which still survives as part of the Episcopal Palace.

The building of a large three-naved Gothic cathedral with a vestry was begun and almost completed under Bishop Timothy in the 13th century. The cathedral was originally dedicated to St. Stephen, the veneration of whom was gradually overshadowed by that of the Assumption of the Virgin Mary, to which the church was later officially dedicated.

In the late Middle Ages, the naves were completed and vaulted; unfortunately, the construction of the two towers on the main front was never completed. The threat of an Ottoman invasion temporarily stopped the building of the cathedral, because the erection of defence walls and towers around the cathedral was then a priority.


Bishop Osvald Thuz (1466-1499) made great efforts to finish the building of the cathedral, but this was accomplished to a large extent by his successor Luka Baratin around the year 1510.

When the Turks retreated, only one of the planned two towers was built (1636 -1646). At In 1640, Bishop Benedikt Vinković commissioned the main portal of the cathedral and that gave the old cathedral its final appearance. Zagreb Cathedral was built and embellished through many centuries as circumstances permitted, thus reflecting the stormy history of the Croatian people.

Slavko Šterk

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