• 1. What was hidden under the Museum
  • 2. Before Zagreb
  • 3. Finds at the Site of Discovery
  • 4. First Recorded Use of the Name of Zagreb
  • 5. The Royal Free Town on Gradec
  • 6. Conflict, Punishment, Prejudice
  • 7. Medvedgrad
  • 8. The Ottoman Threat
  • 9. The Emblems of the City
  • 10. Laška Ves and Nova Ves
  • 11. Kaptol
  • 12. The Building of the Cathedral
  • 13. The Main Portal of the Cathedral
  • 14. The Interior of the Cathedral
  • 15. The Restoration of the Cathedral by Bollé
  • 16. The Parish and the Parish Church of St. Mark at Gradec
  • 17. The Baroque Altars of St. Mark’s
  • 18. The Guilds of Gradec and Kaptol
  • 19. Master Craftsmen of Gradec and Kaptol
  • 20. The New System of Municipal Government
  • 21. Religious Orders Encourage Piety and Education
  • 22. The Poor Clares of Zagreb
  • 23. Veneration for the Blessed Virgin Mary
  • 24. Magnates at Gradec
  • 25. Parks and Walks
  • 26. Life in the Lower Town
  • 27. The Time of the Croatian National Revival
  • 28. Ban Josip Jelačić
  • 29. From the Homes of Zagreb People during the Biedermeier Period
  • 30. Civic Societies and Clubs
  • 31. The Foundations of the Modern City
  • 32. Ilica Becomes the Main Commercial Street
  • 33. From the Photographic Studio
  • 34. The Lower Town
  • 35. Theatre Life
  • 36. Public Utilities
  • 37. Life in Associations
  • 38. Sensations from the Beginning of the 20th Century
  • 39. Echoes from the Battlefield
  • 40. House and Life
  • 41. The Second World War
  • 42. In Socialist Reality
  • 43. The Zagreb School of Animated Film
  • 44. Zagreb in Independent Croatia
  • 46. The Study of Ivan pl. Zajc
  • 45. Echoes of Events in Zagreb
  • 47. August Šenoa and Zagreb
  • 48. Tilla Durieux and her Art Collection
  • 49. The Collection of Mechanical Musical Automata of Ivan Gerersdorfer
  • 50. Dr Ante Rodin''s Collection of Old Packaging
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Permanent Display 17. The Baroque Altars of St. Mark’s

In the 17th century the parish church of St. Mark had eleven small altars. According to an exhaustive report written by the visiting Canon Pepelko in 1742, the church had thirteen altars with mensas and a three-storey superstructure.

The Baroque interior of the comparatively small church was very colourful with its many altars, paintings and guild standards. Most of the altars were erected by the guilds of Gradec, which sometimes dedicated it to a different saint and always displayed their standard on the altar.

The altars were the work of local masters from the workshop of Bishop Branjug of Kaptol and of Gradec sculptors and painters.

The altar of St. Cross has a historic significance for Zagreb because town magistrates and other municipal officials, as well as Croatian bans (governors) were sworn in there.





In the second half of the 19th century, the Baroque altars of St. Mark’s no longer satisfied the taste of the time, and the Town Council decided that they should be “redecorated as befits the dignity of the place and the taste of the modern age”. These Neo-Gothic altars were in their turn removed during the last restoration of the church (1922-1937), in which it was given back its original Gothic character.

Slavko Šterk

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